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The son of the cemetery - Neil Gaiman

Living in another world: a kind of critical noble, often used to mean those who grip a bit 'questionable with reality in its concreteness of everyday, but this expression changes for some people with a strong artistic creativity, in a faithful representation of its existence. Neil Gaiman is not just one person or a writer, is much more '. Embodies the magic, imagination, feeling, poetry, distant worlds, however, that 'might belong to us. E 'became an' irresistible madness for many, a provider of dreams, a peddler of fantasy worlds, a source of insatiable almost heroic characters both real- neighbors for the reader who figures eccentric, extravagant, both in their appearance as in their own character collages, which warms the imagination of many. So, Gaiman is an amazing catalyst of lives trying to take over the case of lives that come from this brilliant mind. Just think of no where and the hidden London, Coraline and the house full of secret passages, the Stardust and his fantasy world full of small wonders of the typical fairy tale.
The son of the cemetery is a novel that actually originated from a story written by Gaiman several years ago, taking in turn inspired by a walk of his son Michael at the time he was 2, in the vicinity of some tombstones. And he decided to make it the starting point of a story more 'wide. The hero is an orphaned boy, who was brutally murdered the entire family, and miraculously escaped almost by divine intervention the macabre murder, taking refuge in the place par excellence is the dark, the non-existence, the absolute stillness , restlessness, sadness, abandonment, the desolation that is the cemetery. But he will become an integral part of this community that will make him a citizen in every respect of the place, a true member of a large family who will take care of him and through him back in a certain way to live despite everything. Here you will also give a name, Nobody, Nobody, highly symbolic of the vagueness of its origins unknown to find. It will have a mentor, a father and a mother who "live" buried in a tomb of return life thanks to him, he will unlikely friends, friends and gain confidence and succeed in feeling, the eternal. A whole community of the dead will take to heart his situation, and take care of him and fell in love. Here Gaiman makes us reflect on the tenuous boundary between life and death, and that there should never be surprised by the presence of those who actually, physically, there is no 'more'. we hear them, next to us. Nobody is a figure moving, extraordinary opening to relationship with others, able to illuminate everything and everyone with his spontaneity, authenticity, full of curiosity typical of children who want to conquer the world, then with the advance of ' age will become fully aware of himself and his destiny to be addressed at any cost, is a friend, even for the reader, who can not 'do not love him for the extraordinary courage that led him to commit, as it happens to everyone, silly common sense, but enterprising reckless actions, which bring with them lessons and knowledge.
You can not 'close the door tightly impossible if you believe, there 's always someone who can help us, give us comfort, to take care of us, though we do not see them. Nobody represents the innocence, pain and rebirth, redemption of an irretrievable loss, the opportunity of a lifetime, however, they can live better despite all the growth that leads to adjust and deal with reality unknown. Life is, however, ongoing research, an exploration that can never be defined as complete and total.
In this book there 'and everything is amazingly intense atmosphere enveloping viscerally, the magic feeling, the strength of courage, the authenticity of the values humans, the irrepressible desire for redemption, the charm of curiosity, the encounter between different worlds, the believe in something that apparently does not exist.
's death seen as a loss, as the end of all things as void, as lacking. Gaiman the rehabilitation by giving even a saving power, almost to ransom. There 's always a mission in the destiny of things, both in life and not according to Gaiman. This is one of the crucial points that enhances his creativity in and of itself. Beauty and artististicità mixes with the belief, values, religion, morality. Never become redundant, overly repetitive, monotonous, rhetorical.
Another question: the past, especially the complicated, vague, cryptic, pain, deprivation always requires a final resolution, a comparison of face-face with their fears that can not 'be postponed in order to open himself freely to the future which is a right to life of each . Nobody was a child he was, he became a boy, a teenager, and in this path of growth applications are becoming more 'pressing need to give a satisfactory answer to the many questions that accumulate. The roads will inevitably divide the living has a life to enjoy, which is also unknown, the dead can live only inside the four walls of the cemetery that can live solo di ricordi. Il vivo dovrà crescere affrontando la vita, i defunti hanno già vissuto e ora riposano di tutte le fatiche sopportate in vita.
Un libro fuori dal tempo, intenso, profondo, di formazione, una meravigliosa favola oscura che culla il lettore attraverso eventi di grande speranza e riscatto, contro nefandezze come soprusi, violenza, potere, crudeltà, insomma il marciume umano che da sempre sporca e corrompe le anime degli uomini.
Questo libro, lo si puo’ dire, parafrasando una frase di Vasco Rossi o il titolo di un libro di Niccolo’ Ammaniti che prendo in prestito, ti prende e ti porta via. Sul dove, lo deciderà e lo capirà il lettore a fine lettura.

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With you, I'll leave'....

Summer is the ultimate moment to read on a full-time. It 's always a headache to choose among the slew of books from your library to get you wink bring, seems to choose between their children who bring with them and those left at home. Without giving too much credit to the label "reading under an umbrella" that shows a pretty light reading, rendered almost useless and stupid, I think there are readings and other typical summer maybe not ideal for the season 'warm year in which is distracted by stress lavorativo quotidiano.

- Harry Potter e il calice di fuoco , è un must in ogni momento dell'anno, mi sono prefissato di leggerli a distanza di tempo, la voglia di Potter è impulsiva e ti puo' rapire in qualsiasi momento. L'importante è tenersi pronti a volare.

- Attraversami di Christian Mascheroni , la bellezza delle parole, delle immagini, dei pensieri che regala ti isola da tutto cio’ che ti circonda. E’ una lettura necessaria che me la voglio godere fino in fondo, magari in spiaggia libera senza troppo caos.

- La principessa di latta di Philip Pullman , The prequel trilogy of Sally Lockhart, a jump in Victorian London that freshness and authorizes a travel time of those who no exotic holiday today can not reach such an experience.

- Cosmetics enemy of Nothomb, can not 'never miss a book incisive, ruthless, insightful writer of the great Japan-Belgium, which in a few pages gives the reader a very intense moments. Each of his book should be read in one breath and what better occasion than a day at sea can 'provide such an opportunity?

- The night of fear - Deaver, the thrill in the summer can give only the dear Jeffery good. A Deaver in summer is equivalent to the pork in Rome inevitable.

- The College of Saint Lucia - K. Russell, is a series of stories very special, original, surreal, which feeds a bit 'anarchy of sound that emanates especially in summer.

- Tell - Mary Robison, a little 'healthy realism, American can' be useful.

- And they died happily , the nonconformity is well matched with the desire for transgression summer. No schedules, no frenzy, no race against time, we leave at the time. And this collection of reinterpretation of the classic stories as I have the impression that amuse me so much.

- Magic Kingdom - Stanley Elkin , here is this is a far dangerous, deadly serious and deeply reflective. The decision to put it in my suitcase is dictated by the fact that I want in this crazy hot summer, stop a moment and think that everything 'that's fun, colorful, movement, lively, dynamic around me is only a facade of the many that present themselves. And 'well, even in this festive atmosphere that has lasted continuously from May to September, do not forget those who live the daily drama imprisoned in uncertainty frustrating.

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Chronicle (staff) of an event that should be great banner of Rimini

A breath of fresh literature that refreshes in summer than ever to want to read.
The book is not just the Turin Book Fair and Literary Festival di Mantova Fair of Small and medium publishers in Rome. There are lots of wonderful initiatives, more 'local, who unjustly unnoticed, either because they do not participate in the giants of the publishing world and you want it, which is closely linked to the reasons above, the media should not cover such news as they really are , events of this type. The mechanism of media is evident to all, but still no one wants to resign to the fact that something can still cure the disease rather than Italian. Stuff of eternal optimists intended to take it in the back? Possible, but the hope is always the last to die. Even more so when there are publishers and authors good, really good, like those found in Finale Ligure. Wind
Literature was born thanks to the initiative, passion, the desire to be born and then grow, creating more and more 'opportunities for contact with readers, most viewed' as friends goal to aim exclusively at the level of profit, Las Vegas has been able to bring issues that other publishers in Finale Ligure, strictly non-payment, such as: 18.30 editions Bradipolibri, Camelopardus, Brothers Frilli, Instar, Intermezzo, Hyperborea, Isbn, Las Vegas edition, blue pen, Marcos y Marcos, Minimum Fax, Mirage Editions, Neo, Knight Bus, Scritturapura, Alternative Press, Voland, twelfth edition, Zandegù. Sure, it's undeniable that his talent should be empowered to force things too by the numbers, without which it would close its doors soon, but 'behind the scenes there must be other, much more, which is a bit' the secret of who do this job: great shaking, almost non-stop work, so many coming and going, many decisions have suffered.
All this was done in a beautiful square, Piazza Vittorio Emanuele II, rather wide and open, almost like a hug ready to welcome anyone who steps from the waterfront. It overlooks the sea, lots of people coming and going with children crying, they laugh and play and have fun trying to communicate in their own way, boys grouped in companies, in a circle, to chat and decide what to do for the evening and for the night that promises endless, people sitting at the tables of the bar to relax, staring silently into space, and yet so many people on the bench with ice cream in hand to enjoy the refreshing release that only a miracle cream can give.
Everything has been prepared to measure, even the time, not randomly chosen (from 17 to 23, hours for which you can ' realistically think that the country will also fill the emigrants bathing). All publishing houses arranged as in a medieval square table (it seemed to attend a dinner with friends), with their stand planted through strictly DIY, each with their own jewelry on display, arranged carefully and with great care, to attract the attention of passersby. The fascinating title, author, their colorful covers and crisp, with the presence of those sitting behind the counter who is well aware of the mission in which he is called to answer: not much to sell an item, but exciting stories, explorable worlds, special characters, completely original and personal style, which then is everything ' that more 'is imprinted in the reader. In short, they make promises of happiness and daydreams. How denied a bid so extraordinary?
E 'fair of small publishing quality non-paid, and the poster reads the press release. What does it mean in a nutshell? The key word on which to focus, and that is a discriminant for this exhibition is "no fee", or the fact that the author does not have to shell out a euro for copies of published or the signing of the contract, even a minimum amount. Everything happens at the expense of publishers, who receive the manuscripts, read them, assess them, make a selection, and decides to bet once occurred, risk, believing firmly in the author, title and history, investing their own money without making the author who has the opportunity to shell out so 'to be known with a huge support of those who believe in him. It 'exactly what I think should normally be the norm, a shared path to be followed in the same direction in the publishing world, but alas not respond to reality.
These publishers, but also other non-paid but that 'for one reason or another were unable to attend the three days of Liguria, should inspire awe, reverence, great consideration and, in my opinion, should be thought of as guarantee of reliability, reliability, credibility and resourcefulness. Should be rewarded with greater attention, for example by the media or perhaps by several literary awards, which are often but not another, that perhaps the most moving exhibitions 'on the political and power than on merit, should disseminate the Word by their more' strength, decision, especially today in the era of communication at all levels. In fact, I myself in my small, as well as other bloggers, I am trying to stress this point. Well, perhaps the blog become a powerful ally to at least try to change a little 'cards on the table, without the risk of becoming trapped in a one-way communication and elitist.
Giorgia and I have shot in this small glimpse of Liguria with great literary curiosity, literally attracted and enchanted, conquered in the end, the freshness, the vitality of this small enchanted world. Unfortunately, however, 'discovered, lived, met with too few people. Willingly or unwillingly, is the undeniable fact that has caused some distress to me to read the expressions on the faces of many people fear, indifference, then abandoned as soon as dismissive curiosity became account books and that it was not sweet, as if those who sat behind the counters were petty thieves who conspire to take away money to people or groups of abusive and questionable morality. Not feeling good, say. Tastes are tastes, premise a must, not create a player from nothing but 'I did a little' bad this participation a bit 'low at the event. It 's also true that since this was only one of the three days could not see clearly what happened the other day, but' talking here and there, disappointment was a bit 'painted on all those present at the fair. A pity.
From a personal perspective, I can say it was a wonderful event, full of beautiful appearances, meetings, expected, unexpected and already have taken place previously, new literary discoveries of authors that I have whetted the appetite not just as a reader and have weighed more than a wish list I can 'handle. The presentations of the books took place in the square, surrounded by the same publishers, have had an almost magical, and always jumped a bit 'interval time originally planned, and is a good sign. It has even invented KARAOKE LITERARY, so what more could you want '?
For the first year of life, I wish to see him again WIND LITERARY Finale Ligure (or even in other places, for example not to Rimini?) Between 25-30 years for arrangers, browsing here and there among a few obstacles, you become great. It relies heavily on the fact that in reality large swarm of these small small great people who dream of becoming big, sooner or later. To them all my respect and my support.